Tuesday, February 1, 2011

Unforgotten: Twenty-Five Years After Willowbrook’

Unforgotten is a very powerful and very sad account of a terrible part of our nation’s history. It is the story of a handful of families that lived through a family member’s life at Willowbrook. The story of Willowbrook is one that his been told many times. The horrors that occurred in the facility have been well documented. The filmmakers make the wise decision of just focusing on these few accounts of how families dealt with before, during and after having siblings and children spending years locked away in this facility that was supposed to care for their disabled relatives.
                Going into the documentary I knew it was going to be rough, but the film effected me more than I originally prepared for. It is sad but amazing to see how these people have dealt with the repercussions of living with not only the repercussions of their family members ailments but the way they were treated for years.
                Watching Unforgotten makes you very grateful for what you have and the abilities we all take for granted. I couldn’t help but think about what I would have done if in the position of some of these families at the time. Would I have sent my child to live with others in the hopes that they could care for them better than I could have?
                 I don’t know, I am lucky enough to have never been faced with these decisions. The one thing that comes through is that these families loved their children and made the best decision they saw available to them at the time. I am just grateful that the choices for these people have been made easier as the establishments we have to care for the disabled have improved.
                The film acts as a snapshot of our national history. One that we have hopefully evolved past.  It is amazing to see that these kids who were at one point deemed helpless have gone on to live instead of rot in an unforgiving landscape like Willowbrook. Unforgotten is now available to view on Netflix Instant Viewing and deserves to be seen.

Bridesmaids Trailer

I am looking forward to this one. Kristen Wigg cracks me up in everything I have seen her in, even movies that were not very good. It will be nice to see her as a lead. Plus the movie is produced by Judd Apatow and directed by Paul Feig (the dudes behind Freaks and Geeks). It will be interesting to see what this genre of movie is like when led by a female cast since we usually just see it through the male perspective. The cast is made up of a lot of other funny actresses like Maya Rudolph, Wendi McLendon-Covey and Ellie Kemper.  Jon Hamm also has a small role.

Check out the trailer below.



Monday, January 31, 2011

Exit Through The Gift Shop

2010 turned out to be a pretty strong year for documentaries. I am still working my way through a lot of them but it has been made easier by Netflix Instant viewing. While Netflix Instant view is slow to get new movies, they seem to be very good at getting documentaries upon their initial DVD/BluRay release. Last night I finally watched Exit Through The Gift Shop. It was an excellent film that deserves its spot as the frontrunner for Best Documentary at the Academy Awards.


The documentary is about the world of street art and the mysterious artist Banksy. Like other docs that have come out this year, the film deals with questions about reality. How much of the film is real and how much is a trick. However in the case of this film, those questions are intentional and they heighten the experience for the viewer. The film focuses on Banksy, a popular street artist who is being embraced by the art world. His rogue art starts selling for insane amounts of money, because collectors decide that his work is genius. Whenever Banksy appears on screen his face is blacked out and his voice is altered to protect his identity. At about the halfway point, the film shifts focus over to Thierry Guetta. Thierry is an aspiring filmmaker who has acquired thousands of hours of footage of street artists filmed over the better part of a decade. His plan was to make a documentary about street art but in reality he just filled box after box with tapes that he has not watched. This is all brought to a screeching halt when Thierry compiles the footage into a rough cut of a documentary and shows it to Banksy. Banksy tells him it is unwatchable. This is when the film really gets interesting as the rest of the running time is devoted to the creation of an artist. I don't want to spoil everything in the movie so I wont say more about the plot.


The movie is very funny and cleverly edited. The main protagonist of the film (Thierry) is humorous in his childlike idealism and naivety.  He is presented as a fairly dimwitted but likeable guy and serves as an entertaing tourguide through the "street" and "legitimate" art worlds. What makes someone a great artist? What makes great art? How do you decide the worth of something so subjective? What makes a film a good film? Exit Through The Gift Shop acts as a prank on the art world and the viewer as well. 

Tuesday, January 25, 2011

Academy Award Nominations

Andrew Garfield and Jesse Eisenberg in 'The Social Network'

The Academy Award nominees were announced this morning. Looking at the list of nominations a few things struck me.
1) I am really behind on seeing movies this year.
2) Having ten movies up for best picture is still as dumb as it was last year.
3) I hate it when people in leading roles get pushed into the supporting spot. Mark Ruffalo was the lead male in The Kids Are Allright just like Hailee Steinfeld was the lead female in True Grit.
4) Where was Jullianne Moore? I thought she was as good, if not better than Annette Benning in the Kids Are Allright.
5) Why was Scott Pilgrim completely ignored in at least the special effects and editing categories?
Anyway, below is the list of nominees. It looks like I have got to see a lot of movies in the next few weeks.

Best Motion Picture of the Year
Black Swan
The Fighter
Inception
The Kids are All Right
The King's Speech
The Social Network
127 Hours

Toy Story 3
True Grit
Winter's Bone


Performance by an Actress in a Leading Role
Annette Bening (The Kids are All Right)
Nicole Kidman (Rabbit Hole)
Jennifer Lawrence (Winter's Bone)
Natalie Portman (Black Swan)
Michelle Williams (Blue Valentine)


Performance by an Actor in a Leading Role
Javier Bardem (Biutiful)
Jesse Eisenberg (The Social Network)
Colin Firth (The King's Speech)
James Franco (127 Hours)
Jeff Bridges (True Grit)


Performance by an Actor in a Supporting Role
Christian Bale (The Fighter)
John Hawkes (Winter's Bone)
Jeremy Renner (The Town)
Mark Ruffalo (The Kids are All Right)
Geoffrey Rush (The King's Speech)


Performance by an Actress in a Supporting Role
Amy Adams (The Fighter)
Helena Bonham Carter (The King's Speech)
Melissa Leo (The Fighter)
Hailee Steinfeld (True Grit)
Jacki Weaver (Animal Kingdom)


Best Animated Feature Film of the Year
How to Train Your Dragon
The Illusionist
Toy Story 3


Best Documentary Short Subject
Killing in the Name
Poster Girl
Strangers No More
Sun Come Up
The Warriors of Qiugang


Best Short Film (Animated)
Day & Night Teddy Newton
The Gruffalo Jakob Schuh and Max Lang
Let's Pollute Geefwee Boedoe
The Lost Thing Shaun Tan and Andrew Ruhemann
Madagascar, carnet de voyage (Madagascar, a Journey Diary) Bastien Dubois


Best Short Film (Live Action)
The Confession Tanel Toom
The Crush Michael Creagh
God of Love Luke Matheny
Na Wewe Ivan Goldschmidt
Wish 143 Ian Barnes and Samantha Waite


Achievement in Art Direction
Alice in Wonderland
Harry Potter and the Deathly Hallows Part 1
Inception
The King's Speech
True Grit


Achievement in Cinematography
Black Swan (Matthew Libatique)
Inception (Wally Pfister)
The King's Speech (Danny Cohen)
The Social Network (Jeff Cronenweth)
True Grit (Roger Deakins)
Achievement in Costume Design
Alice in Wonderland (Colleen Atwood)
I Am Love (Antonella Cannarozzi)
The King's Speech (Jenny Beaven)
The Tempest (Sandy Powell)
True Grit (Mary Zophres)


Achievement in Directing
Darren Aronofsky (Black Swan)
David O. Russell (The Fighter)
Tom Hooper (The King's Speech)
David Fincher (The Social Network)
Joel and Ethan Coen (True Grit)


Best Documentary Feature
Exit through the Gift Shop Banksy, director (Paranoid Pictures)
Gasland Josh Fox, director (Gasland Productions, LLC)
Inside Job Charles Ferguson, director (Representational Pictures)
Restrepo Tim Hetherington and Sebastian Junger, directors (Outpost Films)
Waste Land Lucy Walker, director (Almega Projects)


Achievement in Makeup
Barney's Version
The Way Back
The Wolfman


Achievement in Film Editing
Black Swan (Andrew Weisblum)
The Fighter (Pamela Martin)
The King's Speech (Tariq Anwar)
127 Hours (Jon Harris)
The Social Network (Kirk Baxter and Angus Wall)


Best Foreign Language Film of the Year
Biutiful (Mexico)
Dogtooth (Greece)
In a Better World (Denmark)
Incendies (Canada)
Hors la Loi (Algeria)


Achievement in Music Written for Motion Pictures (Original Score)
How to Train Your Dragon (John Powell)
Inception (Hans Zimmer)
The King's Speech (Alexandre Desplat)
127 Hours (A.R. Rahman)
The Social Network (Trent Reznor and Atticus Ross)


Achievement in Music Written for Motion Pictures (Original Song)
"Coming Home" from Country Strong Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
"I See the Light" from Tangled Music and Lyric by Alan Menken Lyric by Glenn Slater
"If I Rise" from 127 Hours Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
"We Belong Together" from Toy Story 3 Music and Lyric by Randy Newman


Achievement in Sound Editing
Inception
Toy Story 3
TRON: Legacy
True Grit
Unstoppable


Achievement in Sound Mixing
Inception
The King's Speech
Salt
The Social Network
True Grit


Achievement in Visual Effects
Alice in Wonderland
Harry Potter and the Deathly Hallows: Part 1
Hereafter
Inception
Iron Man 2


Adapted Screenplay
127 Hours (Simon Beaufoy and Danny Boyle)
The Social Network (Aaron Sorkin)
Toy Story 3 (Michael Arndt, story by John Lasseter, Andrew Stanton and Lee Unkrich)
True Grit (Joel Coen and Ethan Coen)
Winter's Bone (Debra Granik and Anne Rossellini)


Original Screenplay
Another Year (Mike Leigh)
The Fighter (Paul Attanasio, Lewis Colich, Eric Johnson, Scott Silverand Paul Tamasy)
Inception (Christopher Nolan)
The Kids are All Right (Stuart Blumberg and Lisa Cholodenko)
The King's Speech (David Seidler)

Monday, January 24, 2011

Red State Release Date Change and National Tour

Kevin Smith's Red State premiered this weekend at Sundance and now we just got the news that the theatrical release has been pushed back to October. Smith has decided not to use a studio to release the film and will be handling that himself. He is going to release the film under his new production company, Smodcast Films.
 
However, he is going to be going on a nationwide tour between now and the films release. He is going to be showing the film and following it up with a Q and A session, including himself and various members of the crew and cast. Anybody who is a Smith fan knows that his Q and A sessions are very entertaining. You can actually purchase a few collections of his speaking tours on DVD.
 
It looks like the closest showing to Chattanooga is going to be in Atlanta. Tickets for the tour will be going on sale Friday January 28th.

Thursday, January 20, 2011

Looking Forward to Red State

There is a movie coming out in March that I have been waiting to see for about three years now. Kevin Smith started talking about the film Red State shortly after Zach and Miri was released. Since that time he directed another movie (Copout). Copout was the first time he directed a film that was not written by him and the results were by all accounts pretty poor. I personally have not gotten around to seeing it due to the incredibly bad reviews and the way Smith has talked about it since the film was released. My desire to see a film drops substantially when the director himself bashes it.
Regardless of the result of that movie, I have been a huge Kevin Smith fan since his debut Clerks way back in middle school. Being a movie dork at that age, I was awaiting its release excitedly. Of course everyone else I knew had no idea what I was talking about when I told them, “A new director named Kevin Smith has a movie coming out that he shot in the gas station that he worked in. He filmed it nightly after closing, using credit cards to fund the twenty seven thousand dollar budget along with casting all of his friends in the production.”  At some point I am sure their eyes glazed over and they just thought, “Here he goes again.”
So ever since, I have followed his career closely. It is easy to do, since Smith loves talking about every aspect of his life. He has a series of DVD’s that are compilations of him speaking at colleges. While some people have a podcast or maybe two that they produce, Smith has a network with 7 different shows, one show for every day of the week and he is in five of them.
Red State was written shortly after Zach and Miri and Smith had been working ever since on getting the funding to make his dark vision. Red State is unlike anything he has made before. At this point there has been only a teaser released and it is 100% clear that this is nothing like what has come before.
The film revolves around three teenage outcasts who (in the words of Smith himself) venture into the woods looking for sex but instead find God.” He based the tone on a subgenre of 70’s horror films, the devil worship cult movie. In the late 70s and early 80s when the nation was dealing with fears of supposed satanic cults, horror films took the cue and began pumping out films on the subject. Smith has taken the basic idea of a group of teens crossing paths with a satanic cult and flipped it.
What if these teens ran across a group of religious fundamentalist that were as scary as the satanic cult in Rosemary’s Baby?
When it came to finding inspiration it was not hard, Fred Phelps has been making headlines for years now, protesting funerals of gay teens and US soldiers alike. Standing on the side of the road with posters saying things like, “Fags Die God Laughs”. Phelps was the obvious catalyst for a story that goes to horrifying extremes.
He then lined up a cast of promising young actors including Micheal Angarano, Kyle Gallner and Nick Braun. Smith was so impressed with these three young actors, he cast each of them in his upcoming hockey movie, Hit Somebody. The cast also includes some great character actors, Stephen Root (Office Space), Kevin Pollack (The Usual Suspects), and the amazing John Goodman. Melissa Leo, fresh off her golden globe win for her role in The Fighter, stars as one of the cult members.
This leads us to the main star of the film, Michael Parks. Parks plays the role of Abin Cooper, the head of the church and main villain. Parks is a veteran actor who may not be well known to most modern audiences. He caught my eye and the eye of Smith with his role in the Tarantino/Rodriguez collaboration, From Dusk till Dawn. Smith stated he saw him in the opening scene of that film and was blown away. When the scene ended with him being murdered, Smith thought, “Wait a minute, I want to see a movie about that guy.” Luckily, Tarantino and Rodriguez would resurrect that character in four more films after Dawn.
From everything I have heard, Parks blows it out of the water in Red State. His acting showcase is apparently a sermon mid-movie that last over 15 minutes.
I am beyond excited about this flick and am counting down the days to seeing it. In a couple of days, it will premier at the Sundance Film Festival. After that, I just have to hold out until March to see what Mr. Smith’s version of a horror film is.
One last note, I will say for those who are not horror movie fans, Kevin Smith insists this film is not an actual horror film. In his words, “It’s not a horror film; it’s just that horrific things happen.”

Sunday, January 16, 2011

The Social Network

When I first heard about The Social Network I had the same reaction as a lot of people. “A movie about Facebook, how could that be good?” This thought was dismissed fairly quickly when I found out that David Fincher was directing it. I figured, if he is interested in this then there has to be a story there I don’t know about. I am a little biased about the movie do to my love of David Fincher. He has directed some of the best movies of the last 20 years, Fight Club, Seven, and Zodiac. Even his lesser films are interesting and always visually wonderful, Panic Room, Alien 3, The Curious Case of Benjamin Button. So knowing Fincher was involved got me interested. Then I found out Aaron Sorkin wrote the screenplay and Trent Reznor was composing the films score. At this point I was pumped about, “that Facebook movie”.
The Social Network ended up being a lot more than just the Facebook movie.
At this point late in the awards season it is a little hard to write a review. The movie has been met with pretty much universal critical acclaim and won almost every critic award out there. So the big question is, does The Social Network live up to the hype? Yes it does, in every way this film deserves the acclaim it has received.
The story is told through a series of flashbacks occurring during two separate depositions. Mark Zuckerberg is being sued by his ex partner/best friend for the way their business relationship dissolved. Simultaneously he is also being sued by three ex Harvard students who claim he stole their idea when creating Facebook. The entire movie consists of a few types of scenes, people talking in offices, people talking in colleges, people talking around computers and people talking in restaurants.
Here is the amazing part; Fincher and crew make it completely involving and fast paced. The direction is tight and focused. The cinematography is beautiful to look at. The score by Reznor, is dark and layered and pushes the film along very well. The dialogue is Sorkin at his rapid fire best.  To top it all off, the acting is very strong. Mark is played by Jesse Eisenburg in easily his best performance to date.
Fincher gives us a film that is a great look at our desire to be connected. Zuckerberg is the best kind of protagonist. He is flawed, he is driven and he wants to change the world. It’s staggering to think when the movie begins in 2003 how much is going to change in the next few years. Facebook has become a part of a majority of American’s (and many abroad) life. It had a huge role in the last presidential election. It is practically unheard of at this point to have a business today that does not have a corresponding Facebook page. This movie shows that a few ambitious people with the right idea at the exact perfect time can change society drastically.
There is a scene towards the end of The Social Network, Mark has just delivered news to his partner that they have received a half million dollar investment. This is it, this is the dream coming true, they are on their way to importance, wealth and fame. Mark hangs up the phone and watches the party going on inside of his house. He is becoming important like he has always wanted yet he is still separated from the people he wants to connect with. He wants people to like him, this is echoed over and over throughout the film. He has created this social network that will supposedly connect us all yet he is still removed from the actual social interaction going on. He looks through the glass unable to connect or relate on an actual personal level.
Regardless of if you like Facebook or even care about Facebook this movie will work for you. It deals with the same themes that make all good stories. It deals with ambition, friendship, betrayal, and power. Fincher has crafted a film that speaks to us all. At this point I have seen the film twice and each time it has led to long discussions afterward about life, technology, business ethics and the future of our society.
Seriously what else could we ask for in a movie?